Ms. Hunting Creek is a writer in Virginia. Her work has appeared in The Toast, The Airship, The Washington Post, and Medium. When she isn't rooting for the California Golden Bears, she designs textile art, reads cookbooks in bed, and wrangles two cats, a golden retriever, and her husband..
Friday, January 22, 2010
Great Moments in Fabric Literature, Vol XII
This kimono belonging to the geisha Mameha - whom I'd never heard of at the time - was a work of art. Weaving its way from the hem up to the waist was a beautiful vine made of heavily lacquered threads bunched together like a tiny cable and sewn into place. It was a part of the fabric, yet seemed so much like an actual vine growing there. I had the feeling that I could take it in my fingers, if I wished, and tear it away like a weed from the soil. The leaves curling from it seemed to be fading and drying in the autumn weather, and even taking on tints of yellow.
Arthur Golden, Memoirs of a Geisha, 1997
This may be one of the saddest books I have re-read in a while. The heroine was sold into servitude at age nine. The descriptions of life in Japan are very vivid, but as I read I thought about how many women all over the world are still sold into slavery. An excellent book on this subject is Nicholas Kristof and Sheryl WuDunn's Half the Sky.
I have a small collection of kimono and haori. They are all handmade, and subtly beautiful. I can't wear any of them, though - the original wearers were much more petite than I am. I have a couple hanging as art in my living room, and they are a feast for the eyes. When we were in Kyoto we did see a few women in traditional garb walking on the street. The people there mostly wear western dress for daily wear, but I have read that kimono are still worn for special occasions.
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1 comment:
Very sad book but good fabric literature.
Check out the pix of wedding kimono and more humble (but also gorgeous) garb I saw at the Riverside museum.
http://badmomgoodmom.blogspot.com/2007/03/riverside-museums.html
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