Ms. Hunting Creek is a writer in Virginia. Her work has appeared in The Toast, The Airship, The Washington Post, and Medium. When she isn't rooting for the California Golden Bears, she designs textile art, reads cookbooks in bed, and wrangles two cats, a golden retriever, and her husband..
Sunday, January 10, 2010
Great Moments in Fabric Literature, Vol V
A Summer Wind, a Cotton Dress
I was hers and you were his
The night we met out on that bridge
You knew then what I know now
That love put down comes back some how
The comet came, the comet went
And hid its face in the firmament
I looked once and then turned away
When I looked again it was much too late
A summer wind, a cotton dress
This is how I remember you best
A glance held long and a stolen kiss
This is how I remember you best
The fool I was is the fool I am
I've got a wife, I'm a family man
But when I lay in our bed
I sometimes dream I'm holding you instead
A summer wind, a cotton dress
This is how I remember you best
A glance held long and a stolen kiss
This is how I remember you best
The kids are fine
They're six and nine
I think you'd probably like my wife
But the kitchen light seems much too bright
For what I find myself thinking tonight
A summer wind, a cotton dress
This is how I remember you best
A glance held long and a stolen kiss
This is how I remember you best
Richard Shindell, from the album Courier
If you click on the song title above, you'll see a live performance of this song by Richard Shindell
When a man says he remembers a girl in a cotton dress, it must be an awfully pretty dress. Maybe one like the one shown above? The fifties were a prime cotton dress viewing period. Cotton lawn, I like to imagine, maybe Liberty? With pretty pastel flowers. The girls above, muses both, are wearing sensibly low heels for dancing and bridge-set stolen kisses by comet-light later.
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